PANDHARPUR VITTHAL HD WALLPAPER

PANDHARPUR VITTHAL HD WALLPAPER

pandharpur vitthal hd

Then Krishna visited Pundalik and found him serving his parents. The central image at Vitthal Temple, Pandharpur. The celebrations in Ashadha and Kartik continue until the full-moon in those months, concluding with torchlight processions. This Marathi poetry advocates pure devotion, referring to Vithoba mostly as a father, or in the case of the female saint Janabai’s poetry, as a mother Vithabai. In addition to the above, there are many abhangas , the short Marathi devotional poems of the Varkaris, and many stutis songs of praise and stotras hymns , some of them originating from the Haridasa tradition. These aratis sing of Vithoba, who wears yellow garments a characteristic of Vishnu and is served by Garuda mount of Vishnu and Hanuman the monkey god, devotee of Rama —an avatar of Vishnu.

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Mysticism in Maharashtra PDF. The later murti, according to Sand, was a kshetra murtilocated at a place of holy power kshetrain this case facing east, on the hill where the current temple has stood since about In search of the original idol of Viththal”. The third rite is another puja involving re-dressing pandharur lunch at noon. All these texts describe the legend of Pundalik.

Introduction

Haridasas consider the panrharpur of Pandharpur to be sacred, as well that of Hampi, and worship Vitthala along with forms of Krishna. The devotee Pundalik, thrower of the brick see Legend belowis a major character in the legends of Yd. Similarly temple festivals celebrated in Vitthala temples in Margao[91] Ponda attract a lot a pilgrims.

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Ranade believes that an inscription, found in Alandi and referring to Vitthala and Rakhumai, is the oldest related to Vithoba, and dates it to However, this word can vittha be interpreted as “difficult to understand”. Despite assimilation in Vaishnavism as Krishna-Vishnu, Vithoba does not inherit the erotic overtones of Krishna, citthal as his dalliance with the gopis milkmaids.

Gradually the curious villagers started offering food to the man, but he never asked anything from them. Rao, Mysore Venkata Krishna This version is found in manuscripts of both Puranas, Prahlada Maharaj, and the poet-saints, notably Tukaram. The god Gopala -Krishna, a form of Vishnu, comes from Govardhana as a cowherd, accompanied by his grazing cows, to meet Pundarika.

Vithoba is shown standing arms-akimbo on the brick thrown by the devotee Pundalik. As discussed in the devotional works section above, the Pundalik legend appears in the Sanskrit scriptures Skanda Purana and Padma Purana. vtthal

The deity was subsequently named as Vitthala, a derivative of Bittidev, by the builder-king. This can be found in the Shivneri Caves. Retrieved 12 July According to research scholar M. Ticket will be messaged to you 3 days before your darshan date. This Marathi poetry advocates pure devotion, referring to Vithoba mostly as a father, or in the case of the female saint Janabai’s poetry, as a mother Vithabai.

Vithal – Picture of Vitthal Rukmini Temple, Pandharpur – TripAdvisor

The Dhangars still consider Vithoba to be a brother of the god Virobaand view Vithoba as a Shaiva god rather than a Vaishnava one. Pande, Suruchi August Devotional works dedicated to Vithoba can be categorised into the Varkari tradition, the Brahmin tradition and what Raeside calls a “third tradition”, that includes both Varkari and Brahmin elements.

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The founder of the Hindu sect Pushtimarg votthal Vallabhacharya — is believed to have visited Pandharpur at least twice and was ordered to marry paandharpur Vithoba called Vitthalnath or Vitthalnathji in the sect and have children so that he could be born as Vallabhacharya’s son.

In this temple there are two festivals celebrated annually with the ninth day chariot festival Ratholsavam as the important attraction. Vithoba is associated more with “compassion, an infinite love and tenderness for his bhaktas devotees that can be compared to the love of the mother for her children.

Along the way, pandyarpur sing abhangas devotional songs dedicated to Vithoba and repeat his name, carrying the palkhis palanquins of the poet-saints. Offended, Rukmini left Krishna and went to the forest of Dandivana near Pandharpur. This is backed by the facts that the temple at Pandharpur is surrounded by Shaiva temples most notably of the panharpur Pundalik himselfand that Vithoba is crowned with the Lingasymbol of Shiva.

Thus, according to Zelliot, Vithoba represents Shiva as well as Vishnu. All three consorts are regarded as Krishna’s in Hindu mythology. The celebrations in Ashadha and Kartik continue until the full-moon in those months, concluding with torchlight processions.

In smaller numbers, the Varkaris also visit the temple on two other Ekadashis—in the Hindu months of Magha and Chaitra.